Concerts: 11/11/2022 — 20:00 Muziekcentrum De Bijloke | Gent | BE 12/11/2022 — 20:00 Koningin Elisabethzaal | Antwerpen | BE Tickets JOHANNES BRAHMS [1833–1897] Ein deutsches Requiem op.45 Chen Reiss sopranoThomas Tatzl baritoneCollegium Vocale Gent choirAntwerp Symphony Orchestra Matthew Halls conductortickets

Miriam Kutrowatz, SopranThomas Tatzl, BaritonHeinz Ferlesch, DirigentBarucco Originalklangorchester Antonio Salieri: Ouvertüre zu „La Scuola de gelosi“Joseph Haydn: „Dice benissimo chi si marita“ Hob. XXIVb:5 (Einlagearie zu A. Salieris „La scuola de‘ gelosi“)Domenico Cimarosa: Ouvertüre zu „I Due supposti Conti“Joseph Haydn: „Infelice sventurata“ Hob. XXIVb:15 (Einlagearie zu D. Cimarosas „I due supposti Conti“)Paul Wranitzky: Sinfonie in C-Dur, op. 19 „Krönungssymphonie“Wolfgang Amadeus Mozart: Ouvertüre, „Non piu andrai“, „Deh vieni…

Inszenierung – Benedikt von Peter Musikalische Leitung – Alessandro De Marchi What a pleasure to be part of it! A musical ritual for our age Johann Sebastian Bach created the ‹St Matthew Passion› as a musical ritual for the faithful of his age. Accounts of suffering, death and resurrection are among the foundations upon which European culture is based. But what does the Passion mean for a diverse…

In my role as Nick Shadow in The Rake´s Progress At the height of his art, Stravinsky reconciles with The Rake’s Progress [La Carrière du libertin] tradition and modernity. Tradition in form and in neoclassical writing reminiscent of Mozart’s greatest operas; modernity in this ability to reinvent the lyrical model, give it a dazzling new youthfulness and approach the consumer society…

My Debut as Nick Shadow in The Rake´s Progress At the height of his art, Stravinsky reconciles with The Rake’s Progress [La Carrière du libertin] tradition and modernity. Tradition in form and in neoclassical writing reminiscent of Mozart’s greatest operas; modernity in this ability to reinvent the lyrical model, give it a dazzling new youthfulness and approach the consumer society with…